Bergamot, crushed lime leaf. Then vetiver.

Green Light

70Acid Lime on top.
Deep Ink underneath.

Every scent is a two-tone.

One color for the first minute, another for the hour after.

Three collections

3 scents

Citron Hours

Sharp, green, wide awake.

Bergamot and lime leaf up front, vetiver and cedar underneath. Three scents built for daylight.

3 scents

Sugar Riot

Sweet, with a temper.

Caramel and rhubarb lead, pistachio keeps the room quiet. Three scents that start sweet and end somewhere sharper.

2 scents

Deep End

Cold water, warm wood.

Fig leaf, sea salt, driftwood. Two scents that read cold on top and warm underneath.

The Turn

Every scent opens with one thing and settles into another. We call the first note Spark and the last note Field.

The two get a ratio, Acid Lime 70 / Deep Ink 30 for example, and that ratio becomes the color pair for the whole product: label, card, page.

Nothing about the color is decorative. It's a record of what's in the wax.

Small
batches

The studio pours in small runs. When a scent runs out, it's out until the next batch. No scent stays just to fill a shelf.

  • Green Light70 / 30
  • Loud Grapefruit60 / 40
  • Cold Mandarin50 / 50
  • Burnt Sugar Disco65 / 35
  • Rhubarb Trouble70 / 30
  • Pistachio Milk45 / 55
  • Blue Fig55 / 45
  • Deep Pool60 / 40

Eight scents,
eight ratios.

See all eight